The 400 Blows (1959)
A classic looking at the life of a 12-year-old in Paris.
Anne And Muriel (1971)
Truffaut's second menage a trois movie... this time set in Wales.
The Bride Wore Black (1968)
New Wave brat scholar Tarantino swears blind this was not the inspiration for Kill Bill? You decide.
Finally, Sunday! (1983)
Murder mystery involving an estate agent and his secretary in the South of France.
Jules Et Jim (1962)
A French love triangle, spanning the years. Out on reissue in May.
The Last Metro (1980)
The wife of a Jewish theatre director forced into hiding tries to keep a production afloat in occupied Paris.
Shoot The Pianist (1960)
François Truffaut's follow up to The 400 Blows explores American film noir in the style of le nouvelle vague.
Silken Skin (1964)
A man begins an ill-fated affair with an air stewardess.
The Woman Next Door (1981)
Lives are shattered when a contented husband's former lover moves in next door.
News

Expanding the possible Fernanda Salgado on fantasy, reality, Jan Švankmajer and Ana, En Passant

A burning thing Sneha Mehta and Teddy Stern on falling in love with Mumbai, and making Getar Hero

Nothing is impossible Paul Rowley on moving to New York, the Pulse massacre, and Gays Against Guns

‘The only thing that makes a story universal is emotions’ Warsaw’s Industry panel discuss reaching audiences abroad

The only thing worth saying Chuko and Arie Esiri on adapting Mrs Dalloway and making Clarissa

European Film Academy shortlist announced 68 features vie for nomination

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It's a busy time for festivals and here's the latest:


London Winners announced


Tallinn Black Nights UK co-production joins Works In Progress


Warsaw What Belongs To Others takes top prize


Tallinn Baltic Competition, Rebels With A Cause and Critics' Picks titles announced


Dinard I See Buildings Fall Like Lightning named Best Film